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Torn

by Norman Paterson

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    All purchasers of Torn will get a free download and a full-colour booklet of the lyrics and the stories behind the songs
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  • Compact Disc (CD) + Digital Album

    Torn comes with a beautiful full-colour booklet with all the lyrics and stories behind the songs. The artwork is by the wonderful |Heather Afrin and designed by Calum Hadden

    Includes unlimited streaming of Torn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £10 GBP or more 

     

1.
The Pier 01:28
THE PIER A pier Harbouring no feelings of this or that Stands Silent A ferry appears Women in Glasgow frocks and heels disembark down steep steps clutching handbags and handrails. Husbands in Sunday suits carry cardboard suitcases Waves of recognition Children held at arm's distance inspected for likeness and growth Wary cousins measured. Chatter from arrivals tears from departures Arms placed round shoulders Backs turned against land and sea A pier empty No longer echoing of sounds Stands Silent
2.
TORN She’s leaving the island She needs to get away An unfamiliar voice is calling And getting louder every day She fears to break the ties that bind But the voice will not be scorned And as she looks across the water She is torn The boat sails Monday morning Before the towns awake They drive her to the harbour A car full of heartache Her world surrounded by the sea Ends on every shore And as she looks across the water She is torn She boards the boat turns back to wave To her parents on the pier The only place she’s ever known Will slowly disappear Back home the house is silent They sit and watch the dawn As the ferry boat gets smaller They are torn Our world surrounded by the sea Ends on every shore And as we gaze across the water We are torn
3.
Two Rivers 03:02
There are two rivers in my hometown Driving down the rain Through the hills to the sea Both these rivers flowed through me The softer river hugs the town Rolls along with a soothing sound As a child I walked its course I gathered its peace It let me cross Different rivers Different rain No two pathways run the same The wilder river shuns the town It’s waters fast Its pull is strong As a child I walked its course It took my fear It let me cross Both these rivers played their part In the design of my restless heart I’m going back to where I came Where the rivers know my name Different rivers Different rain No two pathways run the same I’m going back To where I came Where the rivers know my name I’m going back To where I came Where the rivers know my name
4.
THE HEART OF THE HEBRIDES I have watched a Bernera sunset On a summer solstice night Until the last threads of darkness Surrendered to the light I have felt the winter storms Lash against the Port of Ness Like Neptune’s ancient army Charging merciless Deep into the Heart of the Hebrides I have crossed the Grimsay Causeway Landed down on Barra Beach Sailed across the sea to Scalpay Where I saw the Devil’s Sheep I’ve travelled the Golden Road Up and down its bends and bays Knelt inside the Rodel Church On a late December day Deep within the Heart of the Hebrides I’ve watched the fishing fleet Setting sail before the dawn Stood amongst the fishermen In a frozen auction mart I have worked a kipper yard Minded herring as they smoked Hanging from the rafters Above the burning oak Deep within the Heart of the Hebrides I have heard the weavers loom Late into the darkest night I have seen the single bulb Spreading out its yellow light I’ve stood on the Holm cliffs Thought about the Iolaire Trying to make some sense Of what unfolded there And tore the Heart out of the Hebrides
5.
Tender 02:19
There is no colour in the moon It just reflects the sun The forest makes no sound When no one is around When I first laid my eyes on you I’d no idea did you But the sun and moon both knew You’d stop me running So I keep it on the tender Leave it on the true I wear it on my sleeve Only for you If I should lose you In whatever shape or form The moon would lose its colour The forest give up its song I have no answer To thoughts of this kind So, I don’t give them time Or space in my mind When I first laid my eyes on you I’d no idea did you But the sun and moon both knew You’d stop me running So I keep it on the tender Leave it on the true I wear it on my sleeve Only for you
6.
Silver Locket and a key On the edge of the harbour looking east East toward the light across the bay Following a ship that’s disappearing She lifts her tiny hand begins to wave She looks at her mother stood beside her And the other mothers in the line Holding their children so tightly As if letting go would anger the divine Below the wind she’s singing Jesus loves me A song she learned upon her father’s knee while her other hand deep in her coat pocket Clasps a silver locket and a key With his back to the bridge, he looks homeward Home to those gathered on the pier He closes his eyes to freeze the moment Filled of the those he holds dear In a mud filled trench called Gordon Alley By a village in the Somme While his brothers in arms are sleeping He’s crouched in a corner writing home. Below the guns he’s singing Jesus loves me A song he learned upon his father’s knee While his other hand deep in his coat pocket Clasps a silver locket and a key And when the guns fell silent On the 11th day He heard a small bird whistling. And he fell to his knees And he sang out loud Jesus Love Me A song he learned upon his father’s knee And he thought about his wife and daughter And kissed the silver locket and its key
7.
The tree that bends Toward the sun Grows its roots down Deep and strong Learns to sway With the gentle breeze Come the winter Weathers the storm When the farmer goes To plant the tree He protects the bark Leaves the branches free By following this Ancient way The tree grows stronger Day by day When the farmer goes To build a house He’ll build from stone Face it south By following this Ancient way It becomes a home Day by day The tree that bends Toward the sun Grows its roots down Deep and strong And learns to sway With the gentle breeze Come the winter Weathers the storm
8.
The Alchemists My grandad was a kipper man He smelt of wood and smoke His hands were red from kipper dye He coughed before he spoke Born in the Glasgow Gorbals At the turn of the century Shipped out to the east coast Brought up by the sea He spent his life in red brick kilns Amongst the burning oak Or standing on the quay side With the other fisher folk They told me they were Alchemists Back in the days of old Traveling Scotland’s herring towns Turning silver into gold My granny was a herring girl She left before the war And headed for the herring ports Along the Scottish shore One of 2000 island girls Who worked in teams of three Gutting curing packing fish Outside on the quay With fingers wrapped in cotton rags Made from old flour sacks To save her hands from the gutting knife Salt water and the cracks They told me they were Alchemists Back in the days of old Travelling Scotland’s herring towns Turning silver into gold Now the herring are no more And the gold has turned to dust Kipper yards demolished boats turned to rust These days will never come again But stories will be told When herring girls and kipper men Turned silver into gold They told me they were Alchemists Back in the days of old Traveling Scotland’s herring towns Turning silver into gold
9.
Tides They Turn Clouds they pass Sand runs through the hourglass Minutes’ walk While years fl Things change In the blink of an eye You cast a stone You choose your way Some roads are colours Some roads are grey You see her face It melts you heart She returns your smile The music starts A butterfly flaps its wings The movement changes Everything Every thought Every sound It spins them all Round and round Tides They Turn Clouds they pass Sand runs through the hourglass Minutes’ walk While years fly Things change In the blink of an eye
10.
Mary Ann 02:57
Mary Ann Three old photographs Caught my eye today In a faded envelope Hidden away A girl on a motorbike By a passing place Striking a pose Sun in her face On the back is Mary Ann March 31 In the Harris Hills Before she left home Three laughing chambermaids On a sea front wall Strong breeze in their hair Billowing their shawls On the back is Mary Ann June 38 On Oban promenade With Catherine and Kate A mother with child On a on bombed out street Dressed in black Rubble at her feet On the back is Mary Ann April 41 Outside whats left Of their Clydebank home Captured in black and white Her spirit shines through Oh Mary Ann What happened to you The girl on the motorbike The woman on the wall The mother with child I wonder who Captured it all Three old photographs Caught my eye today In a faded envelope From a lifetime away
11.
When the |Yellow's on the Broom As I lie on Flanders Field The sound of battle fading fast I slowly close my eyes (my love) And I’m with you in Luskentyr Where the sea is emerald green And the curlew call is clear We will walk those hills again (my love) When the yellows on the broom When the yellow’s on the broom (my love) When the yellow’s on the broom My darling will you look for When the yellow’s on the broom As the sun dies in the west I feel a darkness creeping in Until I hear your sweet voice (my love) Telling me I’m going home And the boat will wait for me To sail me back across the sea We will walk those hills again (my love) When the yellows on the broom When the yellow’s on the broom (my love) When the yellow’s on the broom My darling will you look for me When the yellow’s on the broom
12.
The HEaling Will Begin When the storm is at its strongest The wind has knocked you down When your hope has lost its anchor There’s no comfort to be found When your road begins to crumble And you’re still so far from home The drifts begin to deepen The wolves come creeping in When you’ve no one left to turn to You’re running on you own Raise up your head And look around And in the middle of the maelstrom Deep within the blue-black light There will be a place or person Put there to make things right And if you find the courage And the trust to let them in When the storm is at its strongest The healing will begin
13.
Downtown Stornoway Friday night Autumn of 75 The bars and pubs are heaving It feels good to be alive Me and my pals are hanging out In the Rendezvous Cafe Not knowing this is the last night It will ever be this way There’s a clock in our town that never chimes Stands there silent stuck in time While all around lives unwind Tommy’s off to college Then he’ll head to sea Colin starts on Monday In a local factory Danny’s not made any plans Except for signing on Me I’m scared of leaving And scared of staying around There’s a clock in our town that never chimes Stands there silent stuck in time While all around lives unwind All things change Stars re-arrange Whether by accident or design That night was 50 years ago But feels like yesterday When everything was simple Till life got in the way Four young lads hanging out In the Rendezvous Cafe Not knowing it was the last night It would ever be that way There’s a clock in our town that never chimes Stands there silent stuck in time While all around lives unwind All things change Stars re-arrange Whether by accident or design
14.
Suilisgeir 01:29
Sulisgeir Suilisgeir built from pebbles and concrete stood closer to wave than village, a strip of machair, sandstone walling off the inches between the Minch and land. Tides would spring aligning boundaries, lapping against doors before neaping to halve the distance from The Church on the opposite shore where the minister’s mother would walk me. And I spent my summers overturning rocks, stretching seaweed in a tightrope as if I were trying to undermine our home’s foundations. allowing space for hermit crabs to creep and crawl within Suilisgeir now empty each winter moving nearer the sea They say It would take a foolish man’s money to repair the pebbles and concrete Would I had it.

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released July 21, 2023

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Norman Paterson Lockerbie, UK

Originally from the windswept islands of the Outer Hebrides he penned his first song at the age of 65
Incorporating the acoustic guitar, mandolin, banjo and accordion as they sweep through his songs, Norman is making the kind of music that stirs the ancient soul. Painting memories of a nostalgic island life, his lyrics and signature vocals are warm, authentic and deeply intoxicating.
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